Cristina Stolhe
Pontevedra, 1993
CV
DownloadCristina Stolhe’s work explores the human experience exposing the intimacy of the moment through a voyeur lens, where photography is not only a tool for expression but functions as a mirror.
Everything starts with an obsession, a deep immersion in the emotional layers driven by a meticulous attention where objects, people and their environments get a sense of physical and emotional presence, deepening the viewer’s engagement with the image.
In a way, she invites us to think about how our experiences and memories serve both as a reflection of the individual and an invitation to examine how personal histories and shared reality intersect within the collective experience. As a result of an unfiltered, harsh and suffocating reality, her images often deliver a visual jolt that pushes the viewers to reconsider conventional notions of beauty.
Everything starts with an obsession, a deep immersion in the emotional layers driven by a meticulous attention where objects, people and their environments get a sense of physical and emotional presence, deepening the viewer’s engagement with the image.
In a way, she invites us to think about how our experiences and memories serve both as a reflection of the individual and an invitation to examine how personal histories and shared reality intersect within the collective experience. As a result of an unfiltered, harsh and suffocating reality, her images often deliver a visual jolt that pushes the viewers to reconsider conventional notions of beauty.
Available artworks
The moon and the Melodies I, 2024
Can Toni, 2024
I’m not lying, 2024
No worries if not II, 2024
The moon and the Melodies III, 2024
Untitled, Santa Eulalia, 2024
Untitled, March 2023
Victoria Park March, 2023
Untitled, 2023
Untitled, 2022 - 2023
Hayes, June, 2022
But still, life, 2022
Upperwest, 2022
Composición IV, 2022
Composición III, 2022
28, Madrid, 2021
Siesta, 2021
Siesta II, 2021
Enero, Madrid, 2021
Lockdown I, 2020
Lockdown II, 2019
Untitled, May 2019
Father, 2019
